Call for Residency Proposals at Somewhere There

Somewhere There is a venue for creative music in the Parkdale neighbourhood of Toronto. The programming features the diverse membership of the Association of Improvising Musicians Toronto (AIMToronto) as well as our creative-musician friends and colleagues from other places.

Key components of Somewhere There programming are the residencies, during which a musician or group has two months of weekly performance slots on Wednesdays (8pm), Thursdays (8pm), or Sundays (5pm). If you would like to propose a residency for a two-month period between June 2010 and July 2011, then please send a proposal for consideration.

Please include:
1) A one-paragraph description of what you wish to do during the residency
2) A one-paragraph biographical statement for you and/or your group(s)
3) Preferences for time of the year and for night of the week (alternate choices could be helpful)

Please send this information to sowehear(at)gmail.com by Friday, 15 January, 2010.

Slightly more information about Somewhere There is available on www.somewherethere.org.

Somewhere There November Newsletter

November brings with it the start of three new residencies at Somewhere There. Wednesdays feature the wonderful See Through Trio, with Pete Johnston (bass), Tania Gill (piano), and Mark Laver (saxophone), one of the great, undersung groups in Toronto’s scene. None of these wonderful musicians are self-promoters, but their music – a thoughtful and inviting take on a tradition that stems from the great Giuffre/Bley/Swallow trio which features beautiful compositions by all members – really shouldn’t need it. Furthermore, The Rent plays Steve Lacy repertoire every Sunday at 6pm. Susanna Hood (voice & movement), Scott Thomson (trombone), Wes Neal (bass), and Kyle Brenders (soprano saxophone) welcome drummer Nick Fraser (and, in his stead on a few dates, Dave Clark), replacing Brandon Valdivia, who is traipsing about God-knows-where.

The third new residency is a good-natured response to those who chirp about shows starting and ending too late for comfort. Morning Music features a trio that formed for the Suoni per il Popolo Festival in Montréal last June – John Oswald (alto saxophone), Scott Thomson (trombone), and Germaine Liu (percussion) – every Friday morning at 7:55 AM (Yes. In the morning.) The cover charge is $5 or free if you bring pastries and/or fruit to share. Scott will make you a mean coffee (or a normal, not-so-mean tea) at no cost.

Moreover, Scott Peterson continues his Thursday-night residency through November, featuring a different assemblage each week – check the Somewhere There calendar for details. Also among the new developments is the migration of Steve Ward’s Panic Density Series to Somewhere There from the Tequila Bookworm, where it was recently ousted by unsympathetic management. This series will be on alternating Monday nights, starting on 16 November. Lastly, the end of the month, 27-29 November, will featuring an AIMToronto Interface Series with the terrific Bay Area percussionist, Gino Robair. The details of the programming are to be announced (check the AIMToronto website), but a Toronto version of Gino’s improvisation opera, “I, Norton,” is planned.

We look forward to seeing you this month.

Come to Celebrate Two Years and Five-Hundred Shows at Somewhere There

On Tuesday, 22 September, 8pm, Somewhere There will be hosting a party to celebrate its second anniversary and its 500th performance. Come one come all. Cake and dancing.

The eight-dollar cover will win you the surf-styled Rembetika music of Alaniaris: Michael Kaler (bass), Mark Zurawinski (drums), and Ken Aldcroft (guitar).

MUSIC(in)GALLERIES 2009

This year's MUSIC(in)GALLERIES, Saturday 15 August, was the best one yet. There were too many individual musical highlights to name, and what I liked best was the beautiful contrast between the acts that, for me, generated a real feeling of wonder.

Thanks to each of the forty artists and to all of the galleries for a splendid time. John Halfpenny was so kind as to make this video, a selection of the day's programming: Nicole Rampersaud, Ronda Rindone, the Element Choir, Tomasz Krakowiak, Allison Cameron, and Jean Martin.

MUSIC(in)GALLERIES 2009: Saturday 15 August

Somewhere There presents the fourth annual MUSIC(in)GALLERIES, Saturday 15 August, 1-5pm. This musical gallery crawl will once again transform the gallery district of Queen Street West, Toronto, from Trinity Bellwoods Park to Gladstone Avenue, into a focal point for the city's increasingly vibrant and renowned creative music scene.

At no cost to the public, dozens of Toronto's most creative musicians will perform in seventeen art galleries and three bars during the afternoon; the music will start in Trinity Bellwoods Park at 1pm, move into a nearby gallery, with new sets of music starting roughly every ten minutes, generating a gallery-crawl momentum. While most spaces will feature exceptional solo performers playing all manner of instruments in countless styles, MUSIC(in)GALLERIES programming will be punctuated by three special group performances:

- Christine Duncan's massive creative voice ensemble, the Element Choir, at the Edward Day Gallery
- Ryan Driver (thumb reeds) and Renée Lear (projections) performing their live video and music collaboration, "The Balloons of India," at XPACE Gallery
- The Woodchoppers Association will feature two very special guests from Mali, West Africa, Abdoulaye Koné (n'goni) and Jah Youssouf (voice & kamel n'goni) at the Gladstone Melody Bar to finish the event in danceable style.

1:00 Southwest corner of Trinity Bellwoods Park, moving into (1:05) Lausberg Contemporary, 880 Queen Street West – Nicole Rampersaud, trumpet

1:15 Angell Gallery, 890 Queen Street West – Rob Piilonen, flute

1:25 *New* Gallery, 906 Queen Street West – Ronda Rindone, bass clarinet

1:35 Clint Roenisch Gallery, 944 Queen Street West – Alex Lukashevsky, voice & guitar

1:45 Edward Day Gallery, 952 Queen Street West – Christine Duncan’s Element Choir

2:00 MOCCA, 952 Queen Street West – Kyle Brenders, saxophone

2:10 Propeller Centre for the Visual Arts, 984 Queen Street West -- Tomasz Krakowiak, percussion

2:20 Camera/Stephen Bulger, 1026 Queen Street West – Jim Lewis, trumpet

2:40 XPACE, 58 Ossington Avenue – Ryan Driver, thumb reeds & Renée Lear, projections

2:55 Lennox Contemporary, 12 Ossington Ave – Tilman Lewis, cello

3:05 Lens Factory, 1040 Queen Street West – Allison Cameron, apparatus

3:15 Katharine Mulherin Contemporary Art Projects 1082 Queen Street West – David Sait, guzheng

3:25 David Kaye Gallery, 1092 Queen Street West (entrance from Dovercourt) – Wes Neal, double bass

3:35 The Beverly Owens Project, 1140 Queen Street West – Lina Allemano, trumpet

3:45 Median Contemporary, 1142 Queen Street West – Michelangelo Iaffaldano, curio

3:55 Drake Hotel Patio, 1150 Queen Street West -- Nichol Robertson, banjo

4:05 Loop Gallery, 1174 Queen Street West – Anne Bourne, cello & voice

4:15 Akau, 1186 Queen Street West (entrance from Northcote) – Eric Chenaux, guitar

4:25 Gladstone Art Bar, 1214 Queen Street West – Jean Martin, drums & honk-trumpet

4:40 Gladstone Melody Bar, 1214 Queen Street West – The Woodchopper’s Association with Jah Youssouf & Abdoulaye Koné

5:00 Gladstone Melody Bar -- celebration, libation, conversation, no music

MUSIC(in)GALLERIES is supported by the New Music Program of the Canada Council

Somewhere There June 2009 Newsleter

As I previewed last month, the highlight this month at Somewhere There is the AIMToronto Interface Series, 5-7 June, with fabulous Swiss-born, Paris-based saxophonist, Urs Leimgruber, a regular collaborators with such talents as Barre Phillips, Fritz Hauser, Joelle Léandre, and Marilyn Crispell. See the program here. It’s interesting timing that this event comes on the heels of the series with Evan Parker, one of the few European saxophonists with to whom Leimgruber can usefully be compared.

The new residency in June is the intriguing duo of Allison Cameron on small, amplified things and Nobuo Kubota, voice and microphone. Allison had her own residency last summer, and it was terrific to hear her in so many different contexts. The programming for the series with Nobuo is not yet fixed but, at a guess, it will reflect a similar diversity.

Somewhere There also wishes to extend thanks and express enthusiasm (and relief) that the Toronto Arts Council has stepped up to our request for support for the residency program. The modest grant that’s just been awarded will subsidize about 150 shows during the 2009-2010 season of residencies, starting with Allison and Nobuo's. This will go a long way toward making viable these residencies in particular and Somewhere There in general. Thank you for supporting informal music-making!

Lastly, I’ll mention that Somewhere There’s good friend, Jack Vorvis, had his bicycle stolen from outside the studio on 24 May. Jeremy Strachan has kindly agreed to program a fundraising concert, Sunday 14 June, featuring Jack with a bunch of friends – programming is to be announced.

May 2009 Newsletter

Special-guest saxophonists are the theme of 2009, thus far. First, it was Evan Parker’s February Interface Series; check out Alan Stanbridge’s thorough review in the latest Signal to Noise. The next Interface is with an only slightly less renowned European improviser from Switzerland, Urs Leimgruber (pictured), 5-7 June (programming details to be announced). In the interim, Somewhere There has hosted excellent saxophonists and good friends from three other Canadian creative music scenes: Paul Cram from Halifax, Jean Derome from Montréal, and Coat Cooke from Vancouver. The night with Jean Derome, 25 April, was particularly fun, with a garrulous mid-sized throw-together band including Justin Haynes, Allison Cameron, Jean Martin, and Christine Duncan.

May marks the second month of trumpeter Nicole Rampersaud’s residency, featuring a set of solo trumpet followed by a set with (usually) a single guest (Evan Shaw, Germaine Liu, Kyle Brenders, Parmela Attariwala, and Matt Miller, for example). Nicole’s playing continues to mature at an incredible rate, and her solos demonstrate not only a keen moment-to-moment imagination and (of course) remarkable instrumental facility, but also a sense of formal development that is rare among solo improvisers. As austere as a set of solo trumpet may sound, it would be a shame to miss this string of shows that constitute a laboratory for someone who is quickly becoming one of Toronto’s leading musical voices.

New this month is bassist Aaron Lumley’s residency, also with a program of solo improvisation and small-group playing that will no doubt feature Aaron’s characteristically physical, gut-stringy style. Aaron has been playing a ton lately, in countless contexts – I just heard him play beautifully with David Prentice at Ron Gaskin’s VTO Festival at the Tranzac – and, like Nicole, he is honing his massive vocabulary of technical extensions toward becoming one of the more distinctive improvisers in the city. Finally, speaking of Ron Gaskin, Somewhere There once again wishes him a happy sixtieth birthday, and thanks Tim Posgate for organizing a small but festive party for Ron in conjunction with a Cluttertones date as part of Rob Clutton’s residency.